Frank D. Williams

Personal Info

Gender:Unspecified
Birth Date:1893-03-20 00:00:00
Birth Place:Nashville, Missouri, USA
Known For:Camera
Death Date:1961-10-16 00:00:00
Popularity:1
Profile Views:6

Frank D. Williams

Biography

Frank D. Williams (March 21, 1893 – October 15, 1961) was a pioneering cinematographer who was active in the early days of the motion picture industry. He developed and patented the traveling matte shot. Frank D. Williams was born March 21, 1893, as Frank Douglas Williams, to James and Lucinda Williams in the small community of Nashville, Missouri. In 1912, Williams became a cameraman at Keystone Studios. There, in 1914, he was the photographer for many of Charlie Chaplin's first-year pictures, including Kid Auto Races at Venice which was the first film released in which The Tramp appeared. Williams is credited as appearing in Kid Auto Races at Venice, playing a cameraman, but his appearance is in doubt. For a time he was chief cinematographer at Keystone, and a large number of the studio's 1914 films are credited to him as photographer. He defected to work for the short-lived Sterling Motion Pictures, but returned to Keystone when Sterling closed in 1915. He also worked a camera for Henry Lehrman's L-Ko Kompany, Reliance-Majestic Studios, and Bluebird Photoplays. When Roscoe Arbuckle formed a new motion picture company, Comique, in 1917, he hired Williams to be his cameraman. At Comique, Williams also shot Buster Keaton's first film appearance, The Butcher Boy (1917). His tenure there was also short; he shot three films for Arbuckle (Butcher Boy, A Reckless Romeo, and The Rough House) before departing to start his own lab. His business did not get off the ground quickly, and he supplemented his income by continuing to work as a cameraman. He was director of photography at Sessue Hayakawa's Haworth Pictures Corporation and is credited with 15 pictures that came out of that studio between 1919 and 1921. While he was working as a cameraman at various studios, Williams worked on his idea for a traveling matte in which the actions of actors would be combined with a filmed moving background. Available technology prevented him from achieving the effect he envisioned until he built a printer himself to his own specification. He filed for a patent in May 1916, and it was granted in July 1918. The process was first used in a motion picture in 1922's Wild Honey. From Wikipedia, the free encyclopedia

Filmography (40)

His Prehistoric Past
His Prehistoric Past
Role: Caveman (uncredited)1914
Kid Auto Races at Venice
Kid Auto Races at Venice
Role: Cameraman (uncredited)1914
Caught in the Rain
Caught in the Rain
cinematography1914
Those Love Pangs
Those Love Pangs
cinematography1914
The Devil's Claim
The Devil's Claim
director of photography1920
Mabel's Strange Predicament
Mabel's Strange Predicament
director of photography1914
Hop - The Devil's Brew
Hop - The Devil's Brew
director of photography1916
The Man Beneath
The Man Beneath
director of photography1919
Laughing Gas
Laughing Gas
cinematography1914
The Property Man
The Property Man
director of photography1914
Between Showers
Between Showers
director of photography1914
The Face on the Barroom Floor
The Face on the Barroom Floor
cinematography1914
His Musical Career
His Musical Career
cinematography1914
The Floorwalker
The Floorwalker
director of photography1916
Kid Auto Races at Venice
Kid Auto Races at Venice
director of photography1914
Making a Living
Making a Living
director of photography1914
A Busy Day
A Busy Day
director of photography1914
The Butcher Boy
The Butcher Boy
director of photography1917
Her Friend the Bandit
Her Friend the Bandit
cinematography1914
The Vagabond
The Vagabond
director of photography1916
The New Janitor
The New Janitor
cinematography1914
A Reckless Romeo
A Reckless Romeo
director of photography1917
Recreation
Recreation
director of photography1914
Queen of the Sea
Queen of the Sea
director of photography1918
His Trysting Places
His Trysting Places
cinematography1914
The Fatal Mallet
The Fatal Mallet
cinematography1914
The Rough House
The Rough House
director of photography1917
His Prehistoric Past
His Prehistoric Past
director of photography1914
The Swamp
The Swamp
director of photography1921
The Invisible Man
The Invisible Man
visual effects supervisor1933
Where Lights Are Low
Where Lights Are Low
director of photography1921
Tillie's Punctured Romance
Tillie's Punctured Romance
director of photography1914
Getting Acquainted
Getting Acquainted
director of photography1914
His New Profession
His New Profession
director of photography1914
The Brand of Lopez
The Brand of Lopez
cinematography1920
The Illustrious Prince
The Illustrious Prince
cinematography1919
The Dragon Painter
The Dragon Painter
director of photography1919
The Beggar Prince
The Beggar Prince
cinematography1920
Black Roses
Black Roses
director of photography1921
Gentlemen of Nerve
Gentlemen of Nerve
cinematography1914